My Fixes to #DND5E - Part 1: Blending #L5R

Previously on this absurd blog, my rant about me not liking D&D 5e anymore focused on how I would hybridize 4e with it, to get the feeling I was looking for.
This is a fairly recent idea of mine, born mainly out of nostalgia, which sparked in me when I recovered old 4e-era material I thought lost.

What I did already with my main online group, with whom I play extremely rarely, so we want to have fun and advance meaningfully when we do, is blending D&D and Legend Of The Five Rings, the feudal Japan fantasy RPG, which has recently seen a new divisive edition. Something of the caliber of D&D 4e when it first arrived, with the difference that it was play-tested publicly, and from what I see it provides a really solid system and experience, which I remember wasn't exactly the case with 4e, which kind of came into shape after a year or two of books, errata, and constant expansion through official game-expanding magazines.

What I love of this latest edition of L5R (Legend Of The Five Rings) is that their namesake five rings (scores) which describe the characters (the four traditional elements plus "Void") don't really cover different things each like before, where some things were determined by your Fire ring, some by the Water one etc. While it's still true for some basics, which anyway usually take two rings and blend them (such as Endurance being derived by Water+Earth or "Focus" by Air+Fire), what these descriptors of the characters really provide is different approaches to every single skill/action. That is, you have five different ways of approaching everything, and you can usually be very good at one or two approaches, lacking in one or two more, and mediocre at the rest, depending on how you distribute your points, which in L5R depend in large part from your clan, family, school and background.

The connection of these elements with the story of the character can be very cool in the context of L5R, which is by design culture-heavy, but what really interested me is the mechanic of the game.

Undead Posts: "Playing a *Twisted* Fey Knight!" - Part 3

Part 2 of this series was the last one that came from the dead blog of 2011.
But we are talking D&D and fantasy here, so with a bit of cheap necromancy, we can raise even dead blog posts, so from here on we have an undead blog series, shambling forward from its grave into its new third chapter! What undead, you ask? Well a death knight, of course!

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Ancient Posts: "Playing a *Twisted* Fey Knight!" - Part 2

Second and last part (at least among the ancient recoveries) about my "twisted fey knight", Carwyn.

This one was the single blog post I was the happiest to have recovered because, although I remembered the main plot of the character's story, there were some details I knew I had forgotten, and they didn't disappoint me: they turned out as cheesy as I was expecting them..!
Cheesy because, although Carwyn does have some (perhaps a lot) of traits that are not my own (or not anymore), this was one of the most blatantly autobiographic characters I had ever made, especially in his family's background, which is basically a fantasy allegory of my own.

Related to this, a big part of my happiness in recovering this piece was due to the pictures.
Not the still from the movie Excalibur (1981) of course, but the two related to Carwyn's parents.
The mother Thindreve is basically a fantasy version of my mom, even in looks, and the one I wanted to see again even more is that heraldic stylized capricorn at the end.
I know: all this fuss for a drawing? Well, first of all I never found the same or a better one, ever (you can verify there's no other online by reverse image search), and secondly it was about the choice of that symbol for Carwyn: even if you will see it makes perfect sense that the capricorn would be his heraldic animal, it was also a reference to the zodiac sign of my father. Silly, I know, but at that time it felt like a spark of genius, and now it just makes me look very nostalgically at the whole thing, just like Carwyn would...

Yep, the penchant for melodrama is another autobiographic trait!

P.S.: My father is alive and well, I made it sound as if he's long gone! Actually, today it's his birthday: happy birthday (grand)Pops! :)

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A Damning Rant: I Don't Like D&D 5e Anymore

One of the first new posts I'd like to write on this old blog of mine, is of a type I posted a lot in the past: a rant! Oh yes: I got older, so if anything I rant more, not less... And while before I was mainly ranting about details I didn't quite like here and there in the game, nowadays I find myself rather seriously disappointed by the direction that D&D took, design-wise.

The cost of success?

During the times of 4e there was talk of "D&D being dumbed down", especially around the time the so-called Essentials books came out. The then new and radically different 4e was accused of wanting to cater to the masses that were playing videogames, making the game dumb like one.
But I think it's clear to everyone now that the version that really dumbed down D&D is the 5th.

Sure, the edition is a big success, and it's in part responsible for this big renaissance of D&D and pen & paper RPGs, that the world is living right now. (I think Stranger Things has a much larger share of this responsibility, but alas, this is all speculation anyways.)

But see, this is the point: D&D became a game for the masses, which basically by definition means it has been dumbed down. I'm not playing elitist here: I love to see my favorite game accessible and liked by more and more people. My point is this had a cost: now I don't like it as much as before.

Of forgotten (or ditched) ideals.

When 5e was in the making, the famous #dndnext you see named all over the place in this blog, back when I was one of the official alpha-testers of the game, it was exciting: a lot of new and radical ideas were being considered, and there was this feeling that we were going to have a super-simplified rules-set first, but that later on an advanced one would have surfaced, being totally compatible with the simplified one, but catering to the players that enjoy complexity, like me.

This never happened.

While there are here and there, even nowadays, some efforts to do this (recently Variant Class Features, or the Mystic class, which seeing recent tweets by the designers and the direction taken to represent psionics, I am about to consider dead in the water), the impression is that designers got blinded by the gold of the good sales, and just thought "Hey, we don't need no complexity: just do more of the same!" While simplicity has its virtues, and more options actually do add a bit of complexity in that they make every choice a little bit harder, there is really a big lack of complexity at the core of the game, and I can very easily identify where it lies.

The (forgotten) magic word is: modularity.

Modularity was all the rage during the development of 5e, in the dndnext times. It seemed like the game was going to become something that you could customize however you wanted, down to the core.

You can see a fossil of this long-lost gamelogical era in Feats, in 5e: they are optional, and if you choose to play with less complexity (yes, even less!) you can exclude them and just get ability score modifiers. Now, not only this is the only piece of modular design left, but it's a bad one to boot: many of the feats, or at least many of the first ones which are STILL the majority (because very few others were released), don't provide ability score bonuses, making you ache like crazy when choosing to go for them, even if they add flavorful concepts that sometimes define the characters, given how "big" they are, in design space, compared to 4e or even 3e feats.

The cool idea of skill dice? It could have been modular, replacing proficiency bonuses. But nothing, it got lost. And what about granular skill improvement, 3e-style? It could have been another modular piece, without losing anything, but again, no luck. Same examples could be made about many many mechanics: the math of 5e is solid, so there could be many ways to dance around the same balance level but moving stuff around, or increasing the amount of "choice points" in character creation, or class feature usage, or more.

But the great sin is my usual pet peeve: class identity

The examples above are just details. The big losses in my opinion are in the way classes and spells were designed. By wanting all the classes and "traditional spells" in the first book (a clear message, going against one of the big whining wars against D&D 4e), 5th edition cornered itself in a very bad spot when it comes to class identity: whatever they released as Ranger should have been the Rangers for years to come. Same for Warlock, Sorcerer, Paladin, etc.

The few of you who know this blog, know that I played the part of the "lathspell" in this, many times. And guess what: it all came to pass as predicted. The problem with hybrid classes was never solved, with Ranger seeming just a jumble of Rogue, Fighter and Druid in a single package, and the problem of Vancian magic used to represent everything was also just accepted by the majority, probably as another design-middle-finger against 4th edition, which had dared kill this sacred cow.

So the problem runs deep. While designers acknowledged the fact that some classes (and in particular the Ranger, as I always always warned) "fell flat" compared to others, their abandonment of  modularity as a key concept of the game made it very hard to correct the mistake. Even when they announced they COULD have (they still didn't) release a revised Ranger, they always said this would have been an optional alternative, not a true revision. And of course it would be, because the way classes are designed, you can't do much else. For all its reputation of being monolithic and hard to modify, 4e was much more modular in comparison, with powers potentially changing a class without even having to modify a single bit of it. Not to mention how the whole system of AEDU could be changed into AADU, or AEU, changing the game as we knew it, as shown by Psionics and Essentials. What can still have the same effect on 5e? Spells. But that's another can of worms, because as I said, part of the issue of class identity is represented by spell design.

From everything is a power to everything is a spell

One of the latest ways in which designers tried to save some classes (and the interest of players like me for the game, I guess) was by giving them more access to more spells.
In the problematic case of the Ranger, it was free access to Hunter's Mark (a spell with VOCAL components, mind you), as a replacement of the trainwreck class feature "Favored Enemy". This would replace it imaginatively with "Favored Foe". Where to begin in explaining how wrong this is?

1. A ranger casting spells with vocal components is extremely contrary to the class identity of "silent and lethal woodland warrior". Can you imagine Rambo chanting magic words to be do more damage to an enemy? Ok, Rambo might be a bit of a bad example (although to me he is the most iconic ranger), but you can see this with any elf archer usually represented as a ranger, or Aragorn, or Drizzt, or anybody. It's just plain silly.
2. It tries to go back to the previous philosophy of 4e of "everything is a power", which could be a solution, but changing powers to spells means we are shoehorning them into daily vancian slots, assigning them somatic/vocal/material componenets, and giving mundane abilities a mystical flavor that they shouldn't have.
3. It's an attempt of driving attention away from the flaws of the system, and of classes, which in the cae of the Ranger are much deeper.

This problem fell like an axe on the necks of other classes too: Sorcerer and Warlock. Classes that, while beloved by many, are in my opinion monuments to missed opportunities.

The usual problem of arcane magic

Again, this might feel to you like "just another dogmatic opinion", but it can't be argued that by using largely the same system (vancian spell-casting), Wizard, Sorcerer, and (to a lesser extent) Warlock missed the opportunity of being truly different from each other. 

Already many times people noted that the Sorcerer is basically an upgraded Wizard. The problem might become even worse if the Variant Class Feature allowing the Sorcerer changes of spells every rest becomes official. But mine is not a point of balance: what's really sad to me is having three classes just access the same power source in slightly different ways, instead of accessing truly different power sources. And you might say "But the Sorcerer and Warlock ALWAYS accessed the same power source as Wizards: Arcane magic." And I'll reply: "And is that a good reason to continue that way?"

The Arcane could have become something really arcane, really mysterious, by dividing it into truly different wizardry, sorcery, and witchery (or whatever you would call Warlock's magic).

Many people feel like it's bad to have to "learn different systems to acknowledge the same thing", but this is an ungainly union of two different and equally bad fallacies:

1. Thinking that different systems are inherently harder to learn than a single one.
2. Thinking that different magic systems try to accomplish the same thing: magic.

The first one is wrong because of course it depends on how those systems are designed.

The second one is the worst, because it ASSUMES that these three classes try to accomplish the same, which is exactly the problem with their class identity. If they try to accomplish the same they shouldn't even be separate classes. The fact that until now they always tried to accomplish the same is just another fallacy, because it doesn't mean they should.

The big improvement of role-playing is actually not enough at all

I am one of those players that thinks roleplaying should not be regulated at all, but since everyone agrees "4e was terrible for roleplaying, 5e is great", I assume people talk about roleplaying but actually mean the game elements that define characters out of combat. And although Backgrounds in 5e did improve this somehow, the problem of "this pillar of the character never levelling up" remained: you take a background at level 1 and it stays there, counting less and less in your characters, while spells become (whether you are a spell-caster or not, mind you) more and more important in your character sheet, especially if you would write them down and see how much space they take compared to everything else.

So what did 5e do exactly to improve "role-playing"? A set of rollable/choosable personality traits and flaws for each background? It's quite nice, sure, but it can't be worth much. Those things existed since forever, and everyone could have used them in 4th edition as well. So I'm quite sure that the change was just proportional in nature: there is less space devoted to combat (although mainly due to the fact spells are not considered "combat", even if 90% of them are all about it), so the general impression is that "story" became more important.

Less is more in design, or in some design school, true. But the way things are now in 5e, the system will stagnate very soon, and become a cemetery of lost opportunities, which will if anything be raised as rotting zombies, when finally the people's cry for MORE will be listened to. It will be too little, too late. And a 6th edition will be inevitable, just as the huge community-breaking rift it will cause.

All right, so that was a long rant, but what do you actually propose?

Oh, so many things. 

1. I like how, system flaws aside, classes have actually much more identity in 4e. It had a Ranger that without spells managed to be truly different compared to the Fighter and (to a lesser extent) the Rogue, and the same for other classes, especially when you consider how much they evolved (with less being more, as per the 5e design philosophy) in 4e Essentials.
   I would seriously play 4e classes with 5e math (mainly Hit Points), and be much happier, BUT:
2. I like many non-combat features of classes in 5e. The thing is: they compete for space with the combat stuff. Solution? Take them out of the classes and put them where they belong: Backgrounds! Backgrounds should be more like classes, in that they should evolve in time, level up so to speak. Heck, one should even be able to "multi-background", because it's frankly silly to think that a couple of years in the army would count so much for the character that decades of adventuring wouldn't change the character's mindset from the "Soldier background".
3. I would redesign completely the Ranger, the Sorcerer, the Warlock, and perhaps also the Rogue (since so many of its features would go into the Criminal background), and the Paladin.
   Sorcerer would get on-the-fly magical effect creation, and Warlock would return to using powers that are more than just spell-like, they are supernatural. Paladin and Ranger would borrow a thing or two from the Tome of Battle, Mike Mearls true forgotten masterpiece, in 3rd edition times.
4. Advantage and Disadvantage are nice and all, but they can't be used for every damn thing. I feel like randomness has way too much weight on the game's math. Advantage and Disadvantage should, if anything, stack (roll 3 or 4 dice, take best or worst), and/or be accompanied by other bonuses, such as skill dice, proficiency bonus, and also a return of additional modifiers which could be standardized to +2, maybe.
5. Skills should be much more important and feel like they develop more in time. This proficient/non-proficient dichotomy is boring as hell, and just doesn't do justice to how much time and effort it takes to become really good at something. Expertise kind of solves this, but guess what, all my characters dip into the Rogue class just for this. You know the system is wrong when you have to multiclass all over the place to represent something that shouldn't require it.
6. I would welcome back Themes of 4e with open arms, and make them marry Backgrounds of 5e. With a big difference: the features and powers they would offer would not compete with class, but be totally parallel and in addition to it. If anything, they would compete with other Backgrounds-Themes the character might want
7. Quite the same for Race: it should matter more. It should basically provide a standard background for those that don't want to think about a Background-Theme, and allow those that want a Background-Theme to choose if to develop more towards the default of their race or their Background-Theme, at every level, and not only: these are features that could even be swapped in-level with the right story.
8. I would have Arcane magic split into Wizardry, Sorcery (with this split into elementalism and chaos sorcery), and Witchery or Eldritch Magic for Warlocks. All of them using different systems.
9. I would do Psionics justice with another separate system, and powers that feel really different compared to magic, much closer to the abilities of martial characters and monks. In fact, I might even have the Monk be the first Psionic class, like in 4e.
10. All of this, and everything else should follow a single design principle: modularity.

Sounds very complex, right? Well, first of all it doesn't have to be: taking modularity in mind means that you can have complexity or opt out. In some cases, classes would provide the difference in complexity by themselves (an elementalist would be extremely simple compared to a wizard), but most of the time, even within the same class you would be able to opt in and out of complexity, with premade choices expandable into multiple ones, subclasses that provide builds that "just work" even for the Wizard, and so on. On the surface, a character of this "new edition" would seem the same as a 5e one, but it would be much more interesting to make and play because of the additional choices, or lack thereof in case one opts for simplicity. What 5e should have always been.

Then you could also say there's a lot of 4e in it. Well yes, I discovered only now how much 4e had done right. You realize the good of something when you don't have it anymore.

And in fact, my next post will be some kind of "conversion manual" to merge 4e and 5e into a system that more or less does what I described.

Stay tuned!

Recovered post: The Charms of Weavers

Together with the recovery of old material from outside, I also found material that had never been published because it was in draft form here for a long time.

Connected to my aborted project of the Weaver class, here is a lore post about their "charms": movement-based spells, if you want, although I always wanted to make them much richer than that, and maybe one day I finally will.

This of course makes a lot of references to my World of Cthon setting/cosmology, so a lot of things might sound strange.

I will not comment any further, if not by saying that by hastily publishing the draft, I lost the actual date of drafting. Somewhere around 2015, maybe? Will make sure to record it next time: I got some more of these posts lying around as drafts.

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"Charms of Power were said to have been first discovered by angels.
Angels of Fire and Ice, of Light and Darkness, discovered their own powers encoded directly into the weave, or probably even had a role in their presence.
According to many, usually discredited academics, many wordy tomes of theological matters seemingly speak of the Charms of Powers among Angels, although giving out evidence that the original authors didn't actually know what they were writing about. Despite the conundrum, those scholars claim that the texts still convey a clear description of weaving practiced by angels, when read by someone who has the right knowledge. However flawed this point may be.
What would be a perhaps more interesting question, though, is who would have made the prophetic scribes write about these arcane matters, without even them knowing or understanding them.

Angels from the Monster Manual 2 of D&D 4th edition: elemental powers were commonplace among them.

Ancient Posts: "Playing a *Twisted* Fey Knight!"

Hello folks!

As mentioned, I'd like to kick-start this long overdue new season of the blog with some content from the past, miraculously recovered through The Internet Archive.

This entry from the end of 2011 was one of my favorites, since it contained images that I had not otherwise saved, and also quite a deep story (detailed more in the second part, which I will post later) and an enigmatic character build, which I remembered in broad strokes but could not replicate fully these days that I took an interest again in D&D 4e (more on this later).

It turns out the build was not "legal": I was using probably beta rules, or even inferring my own version of rules that were not out yet, with the result that this character, at least as conceived initially, would have never worked.

Still, few modifications would be needed (most notably a change from Blackguard to Paladin, which is anyway the same class), and at the end of the series I will post an updated version and perhaps even a 5e version of this beloved character of mine, which I played very little in the end, if at all.

 So there you go, an internet and D&D fossil from nearly 10 years ago!

(Apologies in advance for the strange non-native English you will find: I see 10 years ago I was in fact worse off than now, with my English!)

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I'm BACK!

Every blog's got to have an "I'm BACK!" post, right? Well, I never thought this blog would.

Sometime in 2015, the official Wizards Of The Coast's community shut down. They did give a warning some time before, and I did say to myself I would have saved at least a selection of the crazy amount of content I had created there. But alas, I forgot, and on the announced day, the lights at Wizards' servers went off.

Together with hours of writing, a lot of the images that were used for this blog went down the drain, making the blog look like a war-zone of broken-image placer icons and empty space.
I felt so bad that I found no more will to go on, with this otherwise pleasant hobby.

Now, all of a sudden (and I have no clue how) I found out that the Wayback Machine of The Internet Archive had saved quite a lot of my stuff, including most of the images that were linked here!

I quickly saved all the blog and forum pages in PDF and all the images I found.
Now, the question that remained was where to host all this stuff, to then link it here.
Turns out cloud storage is extremely bad for this purpose, due to the way they dissuade direct linking to file.
Therefore, I dusted off another extremely ancient fossil of my digital presence online: a Sourceforge project I abandoned in 2002 (I was 15!!), but that is incredibly still online: the Gremlin Engine project, also related to RPGs, but back when I was smart and I could code them, instead of just write about them.

The problem was how to get access to something that was connected to my first email address ever, by Tiscali, the first free internet provider in the world, if I remember correctly, and one of the only such "firsts" from Italy, and from its island region of Sardinia.
Turns out they never deleted me from there either, and even if the domain changed, they even kept the redirect from the old domain to the new one. So when I went through password recovery on Sourceforge, I got back all my access credentials, including FTP access to my Sourceforge space, and with it a new place for the images for this blog!

So for now this is all I want to write here, but I will soon post old and new content, to celebrate this blast from the past.

See you soon, my minions! :D